Adobe Premiere Pro Explore. Premiere Pro FAQ. Articles Hardware Software Tutorials. Explore Wikis Community Central. Register Don't have an account? Edit source History Talk 0. Categories Hardware Software Capture Add category. Cancel Save. Universal Conquest Wiki. Don't run other media apps while opening Premiere Pro. I found that playing music in Winamp stopped Premiere from opening. Disable as many processes as you can. See all those little icons in the bottom right of your screen?
Shut them down. Alternatively, you can use Adobe OnLocation to capture video. You digitize analog video from a live analog camera source or from an analog tape device. You digitize the analog video, convert it to digital form, so your computer can store and process it. The capture command digitizes video when a digitizing card or device is installed in the computer. Premiere Pro saves digitized footage to disk as files, and imports the files into projects as clips.
Opomba: While capturing footage, you can monitor audio levels in the Audio Master Meters panel. For HD or SD footage stored on media from file-based camcorders, a device connected to your computer capable of reading the respective media.
Plug-in software codecs are available for other types. Hardware codecs are built in to some capture cards. Opomba: Your operating system or hard disk format could limit the length of a captured clip. This panel includes a preview, which displays video being captured, and controls for recording with or without device control. The Capture panel also contains a Settings pane for editing your capture settings, and a Logging pane for logging clips for batch capturing.
For convenience, some options available in the Capture panel are also available in the Capture panel menu. You can control certain source devices, such as camcorders and decks, directly from the Capture panel.
If your source device lacks any of these interfaces, you still use the Capture panel. You must cue, start, and stop your source device using its controls. The Capture panel assumes primary focus, so leaving it open while editing or previewing video disables output to the source device.
Leaving the Capture panel open also may decrease performance. You can capture from sources containing stereo or 5. The Mono Default Track Format preference enables this behavior for footage captured from multi-channel sources, and for imported multi-channel files.
For more information about audio channel mapping, see Mapping source and output audio channels. Premiere Pro does not limit the size of files. However, your capture card, operating system, or hard disk can set such a limit.
Check your capture card and hard disk documentation for information on support of large files. The format of your hard disk greatly affects its ability to handle large files. NTFS formatting does not limit file size. It is best to use NTFS-formatted disks as the scratch disks where you capture video and for the target hard drives where you export video files. However, other components of your video editing system can limit file size.
You can use device control to manage and automate video capture and to export sequences to tape. Device control lets you precisely control devices, such as decks and camcorders, with capture and batch capture controls. With device control, you can use the Capture panel to log each clip and then use the Batch Capture command to record logged clips automatically. Link and third-party support for RS and RS controllers.
Before setting up device control, make sure that you have a tape deck or camcorder that supports external device control, and a cable that connects the device to your controller, computer, or both.
Others are in the Device Control section at the bottom of the Settings pane of the Capture panel. Device control settings apply to the entire project. Opomba: Not all formats have options for capture settings. For example, the HDV format has no options. Opomba: To avoid confusion, make sure that the tape name is unique.
Some types of device control software ask you to specify the Tape Name setting each time you insert a new tape. Premiere Pro supports the control of devices such as camcorders and VTRs. Link connections. Premiere Pro controls serially controlled devices by way of third-party RS or RS controllers installed on the computer.
If you are connecting a serial device, make your selections from the Protocol, Port, Time Source, and Time Base menus. Check either or both check box selections available for the Protocol you choose. Premiere Pro sees your device but cannot control the tape possibly because there is no tape inserted.
Indicates how much before the In point Premiere Pro starts playing the tape before capture. The appropriate value varies depending on the device you are using. Indicates the number of frames to adjust the timecode embedded in the captured video. Set the offset so that the timecode corresponds with the timecode number of the same frame on the source tape.
In the Device Type menu, if your particular model is not listed, do one of the following:. CS4 Master Collection system requirements. CS3 Master Collection system requirements. Intel Pentium 4 1. More like this Supported product versions. Sign in to your account. Sign in. To avoid confusion, make sure that the tape name is unique. Some types of device control software ask you to specify the Tape Name setting each time you insert a new tape.
Premiere Pro supports the control of devices such as camcorders and VTRs. Link connections. Premiere Pro controls serially controlled devices by way of third-party RS or RS controllers installed on the computer.
If you are connecting a serial device, make your selections from the Protocol, Port, Time Source, and Time Base menus. Check either or both check box selections available for the Protocol you choose. Premiere Pro sees your device but cannot control the tape possibly because there is no tape inserted.
Preroll Time. Indicates how much before the In point Premiere Pro starts playing the tape before capture. The appropriate value varies depending on the device you are using. Timecode Offset. Indicates the number of frames to adjust the timecode embedded in the captured video. Set the offset so that the timecode corresponds with the timecode number of the same frame on the source tape.
In the Device Type menu, if your particular model is not listed, do one of the following:. You can use the controls in the Capture panel to operate the device as you log clips. The jog control lets you navigate quickly to nearby frames. The shuttle control lets you change the speed of the tape as you play it forward or backward. The Record button lets you begin a manual capture. If you press the Rewind button when the tape is stopped, the device rewinds the tape at full speed.
If you rewind when the tape is playing or paused, the device rewinds while displaying video in the preview. If you press the Fast Forward button when the tape is stopped, the device moves the tape forward at full speed. If you fast forward when the tape is playing or paused, the device moves the tape forward while displaying video in the preview. If you press the Previous Scene button, the tape shuttles to the previous start point and pauses.
If you press the Next Scene button, the tape shuttles to the start point of the next scene and pauses. You can also press the J, K, and L keys to control your device. J rewinds the tape; L fast forwards it, and K pauses it.
The speed of forward or reverse increases each time you press J or L. To rewind or forward one frame at a time, hold down K and press J or L once. To operate Capture panel controls using the keyboard, see the tool tips in the Capture panel.
If you do not have a device that Premiere Pro controls, you can capture video manually. You manually operate both the playback device controls and the Capture panel controls in Premiere Pro. Preview HDV footage on an external TV monitor, or, if the source is a camcorder, on the camcorder viewfinder while shuttling, logging, and capturing on Mac OS.
The preview pane in the Capture panel shows the words Previewing On Camera. The new file is listed in the Project panel and is saved to the disk location specified in the Settings pane of the Capture panel. After a device and the project are set up properly, you can begin capturing clips using device control. You can capture an entire tape or you can mark In and Out points for each clip, and then capture the clip. You can log In and Out points for any number of clips and have Premiere Pro capture as many as you like in a batch.
Premiere Pro supports FireWire device control, but supports serial device control by third-party drivers only. On Mac OS, preview HDV footage on an external TV monitor, or, if the source is a camcorder, on the camcorder viewfinder while shuttling, logging, and capturing. When capturing with In and Out points, the earliest allowable time for the In point is 2 seconds. If the provided In point is earlier, it will be automatically adjusted to start at 2 seconds.
These settings will be preserved for the project, but you may need to set them again for each new project. The preview pane in the Capture panel will show the words Previewing On Camera.
Scene Detect can greatly speed up the process of logging clips. Scene Detect works whether you capture an entire tape or just a section between specific In and Out points. Scene Detect creates clips even between defined In and Out points, if it detects a scene break.
It also logs scenes that occur across timecode breaks. Click the Scene Detect button below the image. If you run into problems while capturing digital footage, refer to Premiere Pro Help or the documentation for your camera, deck, or capture card. For more information, check Troubleshoot digital video capture and playback. The following are common issues that may arise when you capture digital video:.
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